http://www.nytimes.com/2015/04/14/world ... .html?_r=0
Günter Grass, German Novelist and Social Critic, Dies at 87
By STEPHEN KINZERAPRIL 13, 2015
Günter Grass, the German novelist, social critic and Nobel Prize winner whom many called his country’s moral conscience but who stunned Europe when he revealed in 2006 that he had been a member of the Waffen-SS during World War II, died on Monday. He was 87.
Mr. Grass’s publisher, Steidl Verlag, said the author died in a clinic in the northern city of Lübeck, which had been his home for decades. No cause of death was given.
Mr. Grass was hardly the only member of his generation who obscured the facts of his wartime life. But because he was a pre-eminent public intellectual who had pushed Germans to confront the ugly aspects of their history, his confession that he had falsified his own biography shocked readers and led some to view his life’s work in a different light.
In 2012, Mr. Grass found himself the subject of further scrutiny after publishing a poem criticizing Israel for its hostile language toward Iran over its nuclear program. He expressed revulsion at the idea that Israel might be justified in attacking Iran over a perceived nuclear threat and said that it “endangers the already fragile world peace.”
The poem prompted an international controversy and a personal attack from Prime Minister Benjamin Netanyahu. Mr. Grass later said that he had meant to attack Israel’s government rather than the country as a whole.
The publication in 1959 of Mr. Grass’s wildly inventive masterpiece, “The Tin Drum,” propelled him to the forefront of postwar literature. Critics hailed the audacious sweep of his literary imagination. A severed horse’s head swarming with hungry eels, a criminal hiding beneath a peasant woman’s layered skirts, and a child who shatters windows with his high-pitched voice are among the memorable images that made “The Tin Drum” a worldwide triumph.
In awarding Mr. Grass the Nobel Prize in 1999, the Swedish Academy praised him for embracing “the enormous task of reviewing contemporary history by recalling the disavowed and the forgotten: the victims, losers and lies that people wanted to forget because they had once believed in them.” It described “The Tin Drum” as “one of the enduring literary works of the 20th century.” ... "
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